Monday, May 12, 2014


Here are some different works 
I've done over the years

Large Scales Paintings and Murals











StoryBoards

B&W
Pencils for RADIO CITY MUSIC HALL 
CARNIVAL SPECTACULAR SHOW





INKs for RADIO CITY MUSIC HALL 
CARNIVAL SPECTACULAR SHOW








COLOR samples
















Vector graphics 
















As well as two "slideshows" 
 of different works I've 
  done over the years.







Tuesday, February 25, 2014

Friday, October 26, 2012


original artwork pages 
Dark Horse Comic's B.P.R,D.   
These is something under my bed,                      
Written by Joe Harris 
penciled by  Adam Pollina, 
Inked by yours truly 
Page 1


Page 2







Page 3
Page 4
Page 11



Page 17 
Page 21










I began my carreer a year before  graduation working in an animation cartoon studio, while getting my degree at Syracuse University.  

After graduation I decided to move to New York City, to expand my professional possibilities.  

I got my first job in the comic book industry around 1997.


Early during this time I worked as a Ghost (uncredited work) and after a relative short time I managed to get my work credited in Marvel's X-Force. 

It didn't  bother me not to get credited for some of my work, to this day I undestand it to be part of the relation of master apprentice in the renaissance tradition so I found ways around it. For example,  perhaps semi-consciously, I began peppering  a few subtle Basque winks and tags. Well, some not so subtle at all: there were iconic Basque symbols, letters, words, even phrases and names of Basque Rock and Rap bands, etc. Things I thought would not be recognized by anybody. 

I figured no other Basques were likely to be working as artists in the comic book industry. I never thought I was getting away with anything. If any of the camouflaged, incomprehensible Basque "winks" I drew in the background would have jumped out as any kind of red flag to an Editor, the worst that could have happened was that I would've simply erased them and drew them over. But that never happened. On the contrary, I think that my when some of the books I worked on in America got published back in Europe, the "Basque winks" that I thought I had concealed so inconspicuously were eventually discovered. This led  to some very considerable attention until finally the University of Nevada got news of my "affairs".

I began assisting with background pencils X-Force in 1997 with #75 and continued until #81 in 1998. 

Along with other such as Image's Nosferatu 1922 and Withcblade INFINITY titles as well as DC's Big Daddy Danger. 

Here are some samples during my genesis in my carreer.